The Wonderful Story of Henry Sugar and Six More Read online

  "For fourteen minutes he remains quite still in that position, and then, as I look at him, I see, quite positively I see his body lifting slowly. . . slowly. . . slowly off the ground. He is still sitting cross-legged, the hands palm downward on the knees, and his whole body is lifting slowly off the ground, up into the air. Now I can see daylight underneath him. Twelve inches above the ground he is sitting. . . fifteen inches. . . eighteen. . . twenty. . . and soon he is at least two feet above the prayer-mat.

  "I stay quite still up there in the tree, watching, and I keep saying to myself, now look carefully. There before you, thirty yards away, is a man sitting in great serenity upon the air. Are you seeing him? Yes, I am seeing him. But are you sure there is no illusion? Are you sure there is no deception? Are you sure you are not imagining? Are you sure? Yes, I am sure, I say. I am sure. I stare at him, marvelling. For a long while I keep staring, and then the body is coming slowly down again towards the earth. I see it coming. I see it moving gently downward, slowly downward, lowering to the earth until again his buttocks rest upon the mat.

  "Forty-six minutes by my watch the body has been suspended! I timed it.

  "And then, for a long long while, for over two hours, the man remains sitting absolutely still, like a stone person, with not the slightest movement. To me, it does not seem that he is breathing. His eyes are closed, and still there is this brightness on his face and also this slightly smiling look, a thing I have not seen on any other face in all my life since then.

  "At last he stirs. He moves his hands. He stands up. He bends down again. He picks up the tray and goes slowly back into the hut. I am wonderstruck. I feel exalted. I forget all caution and I climb down quickly from the tree and run straight over to the hut and rush in through the door. Banerjee is bending over, washing his feet and hands in a basin. His back is towards me, but he hears me and he turns quickly and straightens up. There is great surprise on his face and the first thing he says is, 'How long have you been here?' He says it sharply, as if he is not pleased.

  "At once I tell the whole truth, the whole story about being up in the tree and watching him, and at the end I tell him there is nothing I want in life except to become his disciple. Please will he let me become his disciple?

  "Suddenly he seems to explode. He becomes furious and he begins shouting at me: 'Get out!' he shouts. 'Get out of here! Get out! Get out! Get out!' and in his fury he picks up a small brick and flings it at me and it strikes my right leg just below the knee and tears the flesh. I have the scar still. I will show it to you. There, you see, just below the knee.

  "Banerjee's anger is terrible and I am very frightened. I turn and run away. I run back through the jungle to where the tonga-driver is waiting, and we drive home to Rishikesh. But that night I regain my courage. I make for myself a decision and it is this: that I will return every day to the hut of Banerjee, and I will keep on and on at him until at last he has to take me on as a disciple, just to get himself some peace.

  "This I do. Each day I go to see him and each day his anger pours out upon me like a volcano, him shouting and yelling and me standing there frightened but also obstinate and repeating always to him my wish to become a disciple. For five days it is like this. Then, all at once, on my sixth visit, Banerjee seems to become quite calm, quite polite. He explains he cannot himself take me on as a disciple. But he will give me a note, he says, to another man, a friend, a great yogi, who lives in Hardwar. I am to go there and I will receive help and instruction."

  Imhrat Khan paused and asked me if he might have a glass of water. I fetched it for him. He took a long slow drink, then he went on with his story:

  "This is in 1922 and I am nearly seventeen years old. So I go to Hardwar. And there I find the yogi, and because I have a letter from the great Banerjee, he consents to give me instruction.

  "Now what is this instruction?

  "It is, of course, the critical part of the whole thing. It is what I have been yearning for and searching for, so you can be sure I am an eager pupil.

  "The first instruction, the most elementary part, consists of having to practise the most difficult physical exercises, all of them concerned with muscle control and breathing. But after some weeks of this, even the eager pupil becomes impatient. I tell the yogi it is my mental powers I wish to develop, not my physical ones.

  "He replies, 'If you will develop control of your body, then the control of your mind will be an automatic thing.' But I want both at once, and I keep asking him, and in the end he says, 'Very well, I will give you some exercises to help you to concentrate the conscious mind.'

  " 'Conscious mind?' I ask. 'Why do you say conscious mind?'

  " 'Because each man has two minds, the conscious and the sub-conscious. The sub-conscious mind is highly concentrated, but the conscious mind, the one everyone uses, is a scattered, unconcentrated thing. It is concerning itself with thousands of different items, the things you are seeing around you and the things you are thinking about. So you must learn to concentrate it in such a way that you can visualize at will one item, one item only, and absolutely nothing else. If you work hard at this, you should be able to concentrate your mind, your conscious mind, upon any one object you select for at least three and a half minutes. But that will take about fifteen years.'

  " 'Fifteen years!' I cry.

  " 'It may take longer,' he says. 'Fifteen years is the usual time.'

  " 'But I will be an old man by then!'

  " 'Do not despair,' the yogi says. 'The time varies with different people. Some take ten years, a few can take less, and on extremely rare occasions a special person comes along who is able to develop the power in only one or two years. But that is one in a million.'

  " 'Who are these special people?' I ask. 'Do they look different from other people?'

  " 'They look the same,' he says. 'A special person might be a humble roadsweeper or a factory worker. Or he might be a rajah. There is no way of telling until the training begins.'

  " 'Is it really so difficult,' I ask, 'to concentrate the mind upon a single object for three and a half minutes?'

  " 'It is almost impossible,' he answers. 'Try it and see. Shut your eyes and think of something. Think of just one object. Visualize it. See it before you. And in a few seconds your mind will start wandering. Other little thoughts will creep in. Other visions will come to you. It is a very difficult thing.'

  "Thus spoke the yogi of Hardwar.

  "And so my real exercises begin. Each evening, I sit down and close my eyes and visualize the face of the person I love best, which is my brother. I concentrate upon visualizing his face. But the instant my mind begins to wander, I stop the exercise and rest for some minutes. Then I try again.

  "After three years of daily practice, I am able to concentrate absolutely upon my brother's face for one and a half minutes. I am making progress. But an interesting thing happens. In doing these exercises, I lose my sense of smell absolutely. And never to this day does it come back to me.

  "Then the necessity for earning my living to buy food forces me to leave Hardwar. I go to Calcutta where there are greater opportunities, and there I soon begin to make quite good money by giving conjuring performances. But always I continue with the exercises. Every evening, wherever I am, I settle myself down in a quiet corner and practise the concentrating of the mind upon my brother's face. Occasionally, I choose something not so personal, like for example an orange or a pair of spectacles, and that makes it even more difficult.

  "One day, I travel from Calcutta to Dacca in East Bengal to give a conjuring show at a college there, and while in Dacca, I happen to be present at a demonstration of walking on fire. There are many people watching. There is a big trench dug at the bottom of a sloping lawn. The spectators are sitting in their hundreds upon the slopes of the lawn looking down upon the trench.

  "The trench is about twenty-five feet long. It has been filled with logs and firewood and charcoal, and a lot of paraffin has been poured on it. The paraffin ha
s been lit, and after a while the whole trench has become a smouldering red-hot furnace. It is so hot that the men who are stoking it are obliged to wear goggles. There is a high wind and the wind fans the charcoal almost to white heat.

  "The Indian fire-walker then comes forward. He is naked except for a small loincloth, and his feet are bare. The crowd becomes silent. The fire-walker enters the trench and walks the whole length of it, over the white-hot charcoal. He doesn't stop. Nor does he hurry. He simply walks over the white-hot coals and comes out at the other end, and his feet are not even singed. He shows the soles of his feet to the crowd. The crowd stares in amazement.

  "Then the fire-walker walks the trench once more. This time he goes even slower, and as he does it, I can see on his face a look of pure and absolute concentration. This man, I tell myself, has practised yoga. He is a yogi.

  "After the performance, the fire-walker calls out to the crowd, asking if there is anyone brave enough to come down and walk on the fire. There is a hush in the crowd. I feel a sudden surge of excitement in my chest. This is my chance. I must take it. I must have faith and courage. I must have a go. I have been doing my concentration exercises for over three years now and the time has come to give myself a severe test.

  "While I am standing there thinking these thoughts, a volunteer comes forward from the crowd. It is a young Indian man. He announces that he would like to try the fire-walk. This decides me, and I also step forward and make my announcement. The crowd gives us both a cheer.

  "Now the real fire-walker becomes the supervisor. He tells the other man he will go first. He makes him remove his dhoti, otherwise, he says, the hem will catch fire from the heat. And the sandals must be taken off.

  "The young Indian does what he is told. But now that he is close to the trench and can feel the terrible heat coming from it, he begins to look frightened. He steps back a few paces, shielding his eyes from the heat with his hands.

  " 'You don't have to do it if you don't want to,' the real fire-walker says.

  "The crowd waits and watches, sensing a drama.

  "The young man, though scared out of his wits, wishes to prove how brave he is, and he says, 'Of course I'll do it.'

  "With that, he runs towards the trench. He steps into it with one foot, then the other. He gives a fearful scream and leaps out again and falls to the ground. The poor man lies there screaming in pain. The soles of his feet are badly burned and some of the skin has come right away. Two friends of his run forward and carry him off.

  " 'Now it is your turn,' says the fire-walker. 'Are you ready?'

  " 'I am ready,' I say. 'But please be silent while I prepare myself.'

  "A great hush has come over the crowd. They have seen one man get badly burned. Is the second one going to be mad enough to do the same thing?

  "Someone in the crowd shouts, 'Don't do it! You must be mad!' Others take up the shout, all telling me to give up. I turn and face them and raise my hands for silence. They stop shouting and stare at me. Every eye in that place is upon me now.

  "I feel extraordinarily calm.

  "I pull my dhoti off over my head. I take off my sandals. I stand there naked except for my underpants. I stand very still and close my eyes. I begin to concentrate my mind. I concentrate on the fire. I see nothing but white-hot coals and I concentrate on them being not hot but cold. The coals are cold, I tell myself. They cannot burn me. It is impossible for them to burn me because there is no heat in them. I allow half a minute to go by. I know that I must not wait too long because I am only able to concentrate absolutely upon any one thing for a minute and a half.

  "I keep concentrating. I concentrate so hard that I go into a sort of trance. I step out on to the coals. I walk fairly fast the whole length of the trench. And behold, I am not burned!

  'The crowd goes mad. They yell and cheer. The original fire-walker rushes up to me and examines the soles of my feet. He can't believe what he sees. There is not a burn mark on them.

  " 'Ayee!' he cries. 'What is this? Are you a yogi?'

  " 'I am on the way, sir,' I answer proudly. 'I am well on the way.'

  "After that, I dress and leave quickly, avoiding the crowd.

  "Of course I am excited. 'It is coming to me,' I say. 'Now at last the power is beginning to come.' And all the time I am remembering something else. I am remembering a thing that the old yogi of Hardwar said to me. He said, 'Certain holy people have been known to develop so great a concentration that they could see without using their eyes.' I keep remembering that saying and I keep longing for the power to do likewise myself. And after my success with the fire-walking, I decided that I will concentrate everything upon this single aim -- to see without the eyes."

  For only the second time so far, Imhrat Khan broke off his story. He took another sip of water, then he leaned back in his chair and closed his eyes.

  "I am trying to get everything in the correct order," he said. "I don't want to miss anything out."

  "You're doing fine," I told him. "Carry on."

  "Very well," he said. "So I am still in Calcutta and I have just had success with fire-walking. And now I have decided to concentrate all my energy on this one thing, which is to see without the eyes.

  "The time has come, therefore, to make a slight change in the exercises. Each night now I light a candle and I begin by staring at the flame. A candle-flame, you know, has three separate parts, the yellow at the top, the mauve lower down, and the black right inside. I place the candle sixteen inches away from my face. The flame is absolutely level with my eyes. It must not be above or below. It must be dead level because then I do not have to make even the tiniest little adjustment of the eye muscles by looking up or down. I settle myself comfortably and I begin to stare at the black part of the flame, right in the centre. All this is merely to concentrate my conscious mind, to empty it of everything around me. So I stare at the black spot in the flame until everything around me has disappeared and I can see nothing else. Then slowly I shut my eyes and begin to concentrate as usual upon one single object of my choice, which as you know is usually my brother's face.

  "I do this every night before bed and by 1929, when I am twenty-four years old, I can concentrate upon an object for three minutes without any wandering of my mind. So it is now, at this time, when I am twenty-four, that I begin to become aware of a slight ability to see an object with my eyes closed. It is a very slight ability, just a queer little feeling that when I close my eyes and look at something hard, with fierce concentration, then I can see the outline of the object I am looking at.

  "Slowly I am beginning to develop my inner sense of sight.

  "You ask me what I mean by that. I will explain it to you exactly as the yogi of Hardwar explained it to me.

  "All of us, you see, have two senses of sight, just as we have two senses of smell and taste and hearing. There is the outer sense, the highly developed one which we all use, and there is the inner one also. If only we could develop these inner senses of ours, then we could smell without our noses, taste without our tongues, hear without our ears and see without our eyes. Do you not understand? Do you not see that our noses and tongues and ears and eyes are only. . . how shall I say it?. . . are only instruments which assist in conveying the sensation itself to the brain.

  "And so it is that I am all the time striving to develop my inner senses of sight. Each night now I perform my usual exercises with the candle-flame and my brother's face. After that I rest a little while. I drink a cup of coffee. Then I blindfold myself and sit in my chair trying to visualize, trying to see, not just to imagine, but actually to see without my eyes every object in the room.

  "And gradually success begins to come.

  "Soon I am working with a pack of cards. I take a card from the top of the pack and hold it before me, back to front, trying to see through it. Then, with a pencil in my hand, I write down what I think it is. I take another card and do the same again. I go through the whole of the pack like that and when it is over I chec
k what I have written down against the pile of cards beside me. Almost at once I have a sixty to seventy per cent success.

  "I do other things. I buy maps and complicated navigating charts and pin them up all around my room. I spend hours looking at them blindfold, trying to see them, trying to read the small lettering of the place-names and the rivers. Every evening for the next four years, I proceed with this kind of practice.

  "By the year 1933 -- that is only last year -- when I am twenty-eight years old, I can read a book. I can cover my eyes completely and I can read a book right through.

  "So now at last I have it, this power. For certain I have it now, and at once, because I cannot wait with impatience, I include the blindfold act in my ordinary conjuring performance.

  "The audience loves it. They applaud long and loud. But not one single person believes it to be genuine. Everyone thinks it is just another clever trick. And the fact that I am a conjurer makes them think more than ever that I am faking. Conjurers are men who trick you. They trick you with cleverness. And so no one believes me. Even the doctors who blindfold me in the most expert way refuse to believe that anyone can see without his eyes. They forget there may be other ways of sending the image to the brain."

  "What other ways?" I asked him.

  "Quite honestly, I don't know exactly how it is I can see without my eyes. But what I do know is this; when my eyes are bandaged, I am not using the eyes at all. The seeing is done by another part of my body."

  "Which part?" I asked him.

  "Any part at all so long as the skin is bare. For example, if you put a sheet of metal in front of me and put a book behind the metal, I cannot read the book. But if you allow me to put my hand around the sheet of metal so that the hand is seeing the book, then I can read it."