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  Outside, the fog had cleared a little, but it was still a long, slow drive in the taxi, and she didn't arrive back at the house on Sixty-second Street until fairly late.

  Her husband emerged from his study when he heard her coming in. 'Well,' he said, standing by the study door, 'how was Paris?'

  'We leave at eleven in the morning,' she answered. 'It's definite.'

  'You mean if the fog clears.'

  'It's clearing now. There's a wind coming up.'

  'You look tired,' he said. 'You must have had an anxious day.'

  'It wasn't very comfortable. I think I'll go straight to bed.'

  'I've ordered a car for the morning,' he said. 'Nine o'clock.'

  'Oh, thank you, dear. And I certainly hope you're not going to bother to come all the way out again to see me off.'

  'No,' he said slowly. 'I don't think I will. But there's no reason why you shouldn't drop me at the club on your way.'

  She looked at him, and at that moment he seemed to be standing a long way off from her, beyond some borderline. He was suddenly so small and far away that she couldn't be sure what he was doing, or what he was thinking, or even what he was.

  'The club is downtown,' she said. 'It isn't on the way to the airport.'

  'But you'll have plenty of time, my dear. Don't you want to drop me at the club?'

  'Oh, yes - of course.'

  'That's good. Then I'll see you in the morning at nine.'

  She went up to her bedroom on the third floor, and she was so exhausted from her day that she fell asleep soon after she lay down.

  Next morning, Mrs Foster was up early, and by eight thirty she was downstairs and ready to leave.

  Shortly after nine, her husband appeared. 'Did you make any coffee?' he asked.

  'No, dear. I thought you'd get a nice breakfast at the club. The car is here. It's been waiting. I'm all ready to go.'

  They were standing in the hall - they always seemed to be meeting in the hall nowadays - she with her hat and coat and purse, he in a curiously cut Edwardian jacket with high lapels.

  'Your luggage?'

  'It's at the airport.'

  'Ah yes,' he said. 'Of course. And if you're going to take me to the club first, I suppose we'd better get going fairly soon, hadn't we?'

  'Yes!' she cried. 'Oh, yes - please!'

  'I'm just going to get a few cigars. I'll be right with you. You get in the car.'

  She turned and went out to where the chauffeur was standing, and he opened the car door for her as she approached.

  'What time is it?' she asked him.

  'About nine fifteen.'

  Mr Foster came out five minutes later, and watching him as he walked slowly down the steps, she noticed that his legs were like goat's legs in those narrow stovepipe trousers that he wore. As on the day before, he paused halfway down to sniff the air and to examine the sky. The weather was still not quite clear, but there was a wisp of sun coming through the mist.

  'Perhaps you'll be lucky this time,' he said as he settled himself beside her in the car.

  'Hurry, please,' she said to the chauffeur. 'Don't bother about the rug. I'll arrange the rug. Please get going. I'm late.'

  The man went back to his seat behind the wheel and started the engine.

  'Just a moment!' Mr Foster said suddenly. 'Hold it a moment, chauffeur, will you?'

  'What is it, dear?' She saw him searching the pockets of his overcoat.

  'I had a little present I wanted you to take to Ellen,' he said. 'Now, where on earth is it? I'm sure I had it in my hand as I came down.'

  'I never saw you carrying anything. What sort of present?'

  'A little box wrapped up in white paper. I forgot to give it to you yesterday. I don't want to forget it today.'

  'A little box!' Mrs Foster cried. 'I never saw any little box!' She began hunting frantically in the back of the car.

  Her husband continued searching through the pockets of his coat. Then he unbuttoned the coat and felt around in his jacket. 'Confound it,' he said, 'I must've left it in my bedroom. I won't be a moment.'

  'Oh, please!' she cried. 'We haven't got time! Please leave it! You can mail it. It's only one of those silly combs anyway. You're always giving her combs.'

  'And what's wrong with combs, may I ask?' he said, furious that she should have forgotten herself for once.

  'Nothing, dear, I'm sure. But ...'

  'Stay here!' he commanded. 'I'm going to get it.'

  'Be quick, dear! Oh, please be quick!'

  She sat still, waiting and waiting.

  'Chauffeur, what time is it?'

  The man had a wristwatch, which he consulted. 'I make it nearly nine thirty.'

  'Can we get to the airport in an hour?'

  'Just about.'

  At this point, Mrs Foster suddenly spotted a corner of something white wedged down in the crack of the seat on the side where her husband had been sitting. She reached over and pulled out a small paper-wrapped box, and at the same time she couldn't help noticing that it was wedged down firm and deep, as though with the help of a pushing hand.

  'Here it is!' she cried. 'I've found it! Oh dear, and now he'll be up there forever searching for it! Chauffeur, quickly - run in and call him down, will you please?'

  The chauffeur, a man with a small rebellious Irish mouth, didn't care very much for any of this, but he climbed out of the car and went up the steps to the front door of the house. Then he turned and came back. 'Door's locked,' he announced. 'You got a key?'

  'Yes - wait a minute.' She began hunting madly in her purse. The little face was screwed up tight with anxiety, the lips pushed outwards like a sprout.

  'Here it is! No - I'll go myself. It'll be quicker. I know where he'll be.'

  She hurried out of the car and up the steps to the front door, holding the key in one hand. She slid the key into the keyhole and was about to turn it - and then she stopped. Her head came up, and she stood there absolutely motionless, her whole body arrested right in the middle of all this hurry to turn the key and get into the house, and she waited - five, six, seven, eight, nine, ten seconds, she waited. The way she was standing there, with her head in the air and the body so tense, it seemed as though she were listening for the repetition of some sound that she had heard a moment before from a place far away inside the house.

  Yes - quite obviously she was listening. Her whole attitude was a listening one. She appeared actually to be moving one of her ears closer and closer to the door. Now it was right up against the door, and for still another few seconds she remained in that position, head up, ear to door, hand on key, about to enter but not entering, trying instead, or so it seemed, to hear and to analyse these sounds that were coming faintly from this place deep within the house.

  Then, all at once, she sprang to life again. She withdrew the key from the door and came running back down the steps.

  'It's too late!' she cried to the chauffeur. 'I can't wait for him. I simply can't. I'll miss the plane. Hurry now, driver, hurry! To the airport!'

  The chauffeur, had he been watching her closely, might have noticed that her face had turned absolutely white and that the whole expression had suddenly altered. There was no longer that rather soft and silly look. A peculiar hardness had settled itself upon the features. The little mouth, usually so flabby, was now tight and thin, the eyes were bright, and the voice, when she spoke, carried a new note of authority.

  'Hurry, driver, hurry!'

  'Isn't your husband travelling with you?' the man asked, astonished.

  'Certainly not! I was only going to drop him at the club. It won't matter. He'll understand. He'll get a cab. Don't sit there talking, man. Get going! I've got a plane to catch for Paris!'

  With Mrs Foster urging him from the back seat, the man drove fast all the way, and she caught her plane with a few minutes to spare. Soon she was high up over the Atlantic, reclining comfortably in her aeroplane chair, listening to the hum of the motors, heading for Paris at last. The
new mood was still with her. She felt remarkably strong and, in a queer sort of way, wonderful. She was a trifle breathless with it all, but this was more from pure astonishment at what she had done than anything else, and as the plane flew farther and farther away from New York and East Sixty-second Street, a great sense of calmness began to settle upon her. By the time she reached Paris, she was just as strong and cool and calm as she could wish.

  She met her grandchildren, and they were even more beautiful in the flesh than in their photographs. They were like angels, she told herself, so beautiful they were. And every day she took them for walks, and fed them cakes, and bought them presents, and told them charming stories.

  Once a week, on Tuesdays, she wrote a letter to her husband - a nice, chatty letter - full of news and gossip, which always ended with the words 'Now be sure to take your meals regularly, dear, although this is something I'm afraid you may not be doing when I'm not with you.'

  When the six weeks were up, everybody was sad that she had to return to America, to her husband. Everybody, that is, except her. Surprisingly, she didn't seem to mind as much as one might have expected, and when she kissed them all good-bye, there was something in her manner and in the things she said that appeared to hint at the possibility of a return in the not too distant future.

  However, like the faithful wife she was, she did not overstay her time. Exactly six weeks after she had arrived, she sent a cable to her husband and caught the plane back to New York.

  Arriving at Idlewild, Mrs Foster was interested to observe that there was no car to meet her. It is possible that she might even have been a little amused. But she was extremely calm and did not overtip the porter who helped her into a taxi with her baggage.

  New York was colder than Paris, and there were lumps of dirty snow lying in the gutters of the streets. The taxi drew up before the house on Sixty-second Street, and Mrs Foster persuaded the driver to carry her two large cases to the top of the steps. Then she paid him off and rang the bell. She waited, but there was no answer. Just to make sure, she rang again, and she could hear it tinkling shrilly far away in the pantry, at the back of the house. But still no one came.

  So she took out her own key and opened the door herself.

  The first thing she saw as she entered was a great pile of mail lying on the floor where it had fallen after being slipped through the letterbox. The place was dark and cold. A dust sheet was still draped over the grandfather clock. In spite of the cold, the atmosphere was peculiarly oppressive, and there was a faint but curious odour in the air that she had never smelled before.

  She walked quickly across the hall and disappeared for a moment round the corner to the left, at the back. There was something deliberate and purposeful about this action; she had the air of a woman who is off to investigate a rumour or to confirm a suspicion. And when she returned a few seconds later, there was a little glimmer of satisfaction on her face.

  She paused in the centre of the hall, as though wondering what to do next. Then suddenly, she turned and went across into her husband's study. On the desk she found his address book, and after hunting through it for a while she picked up the phone and dialled a number.

  'Hello,' she said. 'Listen - this is Nine East Sixty-second Street ... Yes, that's right. Could you send someone round as soon as possible, do you think? Yes, it seems to be stuck between the second and third floors. At least, that's where the indicator's pointing ... Right away? Oh, that's very kind of you. You see, my legs aren't any too good for walking up a lot of stairs. Thank you so much. Good-bye.'

  She replaced the receiver and sat there at her husband's desk, patiently waiting for the man who would be coming soon to repair the elevator.

  Parson's Pleasure

  [1958]

  Mr Boggis was driving the car slowly, leaning back comfortably in the seat with one elbow resting on the sill of the open window. How beautiful the countryside, he thought; how pleasant to see a sign or two of summer once again. The primroses especially. And the hawthorn. The hawthorn was exploding white and pink and red along the hedges and the primroses were growing underneath in little clumps, and it was beautiful.

  He took one hand off the wheel and lit himself a cigarette. The best thing now, he told himself, would be to make for the top of Brill Hill. He could see it about half a mile ahead. And that must be the village of Brill, that cluster of cottages among the trees right on the very summit. Excellent. Not many of his Sunday sections had a nice elevation like that to work from.

  He drove up the hill and stopped the car just short of the summit on the outskirts of the village. Then he got out and looked around. Down below, the countryside was spread out before him like a huge green carpet. He could see for miles. It was perfect. He took a pad and pencil from his pocket, leaned against the back of the car, and allowed his practised eye to travel slowly over the landscape.

  He could see one medium farmhouse over on the right, back in the fields, with a track leading to it from the road. There was another larger one beyond it. There was a house surrounded by tall elms that looked as though it might be a Queen Anne, and there were two likely farms away over on the left. Five places in all. That was about the lot in this direction.

  Mr Boggis drew a rough sketch on his pad showing the position of each so that he'd be able to find them easily when he was down below, then he got back into the car and drove up through the village to the other side of the hill. From there he spotted six more possibles - five farms and one big white Georgian house. He studied the Georgian house through his binoculars. It had a clean prosperous look, and the garden was well ordered. That was a pity. He ruled it out immediately. There was no point in calling on the prosperous.

  In this square then, in this section, there were ten possibles in all. Ten was a nice number, Mr Boggis told himself. Just the right amount for a leisurely afternoon's work. What time was it now? Twelve o'clock. He would have liked a pint of beer in the pub before he started, but on Sundays they didn't open until one. Very well, he would have it later. He glanced at the notes on his pad. He decided to take the Queen Anne first, the house with the elms. It had looked nicely dilapidated through the binoculars. The people there could probably do with some money. He was always lucky with Queen Annes, anyway. Mr Boggis climbed back into the car, released the handbrake, and began cruising slowly down the hill without the engine.

  Apart from the fact that he was at this moment disguised in the uniform of a clergyman, there was nothing very sinister about Mr Cyril Boggis. By trade he was a dealer in antique furniture, with his own shop and showroom in the King's Road, Chelsea. His premises were not large, and generally he didn't do a great deal of business, but because he always bought cheap, very very cheap, and sold very very dear, he managed to make quite a tidy little income every year. He was a talented salesman, and when buying or selling a piece he could slide smoothly into whichever mood suited the client best. He could become grave and charming for the aged, obsequious for the rich, sober for the godly, masterful for the weak, mischievous for the widow, arch and saucy for the spinster. He was well aware of his gift, using it shamelessly on every possible occasion; and often, at the end of an unusually good performance, it was as much as he could do to prevent himself from turning aside and taking a bow or two as the thundering applause of the audience went rolling through the theatre.

  In spite of this rather clownish quality of his, Mr Boggis was not a fool. In fact, it was said of him by some that he probably knew as much about French, English, and Italian furniture as anyone else in London. He also had surprisingly good taste, and he was quick to recognize and reject an ungraceful design, however genuine the article might be. His real love, naturally, was for the work of the great eighteenth-century English designers, Ince, Mayhew, Chippendale, Robert Adam, Manwaring, Inigo Jones, Hepplewhite, Kent, Johnson, George Smith, Lock, Sheraton, and the rest of them, but even with these he occasionally drew the line. He refused, for example, to allow a single piece from Chippendale's Chi
nese or Gothic period to come into his showroom, and the same was true of some of the heavier Italian designs of Robert Adam.

  During the past few years, Mr Boggis had achieved considerable fame among his friends in the trade by his ability to produce unusual and often quite rare items with astonishing regularity. Apparently the man had a source of supply that was almost inexhaustible, a sort of private warehouse, and it seemed that all he had to do was to drive out to it once a week and help himself. Whenever they asked him where he got the stuff, he would smile knowingly and wink and murmur something about a little secret.

  The idea behind Mr Boggis's little secret was a simple one, and it had come to him as a result of something that had happened on a certain Sunday afternoon nearly nine years before, while he was driving in the country.

  He had gone out in the morning to visit his old mother, who lived in Sevenoaks, and on the way back the fanbelt on his car had broken, causing the engine to overheat and the water to boil away. He had got out of the car and walked to the nearest house, a smallish farm building about fifty yards off the road, and had asked the woman who answered the door if he could please have a jug of water.

  While he was waiting for her to fetch it, he happened to glance in through the door to the living-room, and there, not five yards from where he was standing, he spotted something that made him so excited the sweat began to come out all over the top of his head. It was a large oak armchair of a type that he had only seen once before in his life. Each arm, as well as the panel at the back, was supported by a row of eight beautifully turned spindles. The back panel itself was decorated by an inlay of the most delicate floral design, and the head of a duck was carved to lie along half the length of either arm. Good God, he thought. This thing is late fifteenth century!

  He poked his head in further through the door, and there, by heavens, was another of them on the other side of the fireplace!

  He couldn't be sure, but two chairs like that must be worth at least a thousand pounds up in London. And oh, what beauties they were!

  When the woman returned, Mr Boggis introduced himself and straight away asked if she would like to sell her chairs.

  Dear me, she said. But why on earth should she want to sell her chairs?