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  Without looking up, he held out a hand to me for the chloroform. I twisted out the ground-glass stopper and put the bottle right into his hand, not letting go till I was sure he had a good hold on it. Then he jerked his head for me to come closer and he whispered, ‘Tell him I’m going to soak the mattress and that it will be very cold under his body. He must be ready for that and he must not move. Tell him now.’

  I bent over Harry and passed on the message.

  ‘Why doesn’t he get on with it?’ Harry said.

  ‘He’s going to now, Harry. But it’ll feel very cold, so be ready for it.’

  ‘Oh, God Almighty, get on, get on!’ For the first time he raised his voice, and Ganderbai glanced up sharply, watched him for a few seconds, then went back to his business.

  Ganderbai poured a few drops of chloroform into the paper funnel and waited while it ran down the tube. Then he poured some more. Then he waited again, and the heavy sickening smell of chloroform spread out over the room bringing with it faint unpleasant memories of white-coated nurses and white surgeons standing in a white room around a long white table. Ganderbai was pouring steadily now and I could see the heavy vapour of the chloroform swirling slowly like smoke above the paper funnel. He paused, held the bottle up to the light, poured one more funnelful and handed the bottle back to me. Slowly he drew out the rubber tube from under the sheet, then he stood up.

  The strain of inserting the tube and pouring the chloroform must have been great, and I recollect that when Ganderbai turned and whispered to me, his voice was small and tired, ‘We’ll give it fifteen minutes. Just to be safe.’

  I leaned over to tell Harry. ‘We’re going to give it fifteen minutes, just to be safe. But it’s probably done for already.’

  ‘Then why for God’s sake don’t you look and see!’ Again he spoke loudly and Ganderbai sprang round, his small brown face suddenly very angry. He had almost pure black eyes and he stared at Harry and Harry’s smiling-muscle started to twitch. I took my handkerchief and wiped his wet face, trying to stroke his forehead a little for comfort as I did so.

  Then we stood and waited beside the bed, Ganderbai watching Harry’s face all the time in a curious intense manner. The little Indian was concentrating all his will power on keeping Harry quiet. He never once took his eyes from the patient and although he made no sound, he seemed somehow to be shouting at him all the time, saying: Now listen, you’ve got to listen, you’re not going to go spoiling this now, d’you hear me, and Harry lay there twitching his mouth, sweating, closing his eyes, opening them, looking at me, at the sheet, at the ceiling, at me again, but never at Ganderbai. Yet somehow Ganderbai was holding him. The smell of chloroform was oppressive and it made me feel sick, but I couldn’t leave the room now. I had the feeling someone was blowing up a huge balloon and I could see it was going to burst, but I couldn’t look away.

  At length Ganderbai turned and nodded and I knew he was ready to proceed. ‘You go over to the other side of the bed,’ he said. ‘We will each take one side of the sheet and draw it back together, but very slowly, please, and very quietly.’

  ‘Keep still now, Harry,’ I said and I went around to the other side of the bed and took hold of the sheet. Ganderbai stood opposite me, and together we began to draw back the sheet, lifting it up clear of Harry’s body, taking it back very slowly, both of us standing well away but at the same time bending forward, trying to peer underneath it. The smell of chloroform was awful. I remember trying to hold my breath and when I couldn’t do that any longer I tried to breathe shallow so the stuff wouldn’t get into my lungs.

  The whole of Harry’s chest was visible now, or rather the striped pyjama top which covered it, and then I saw the white cord of his pyjama trousers, neatly tied in a bow. A little farther and I saw a button, a mother-of-pearl button, and that was something I had never had on my pyjamas, a fly button, let alone a mother-of-pearl one. This Harry, I thought, he is very refined. It is odd how one sometimes has frivolous thoughts at exciting moments, and I distinctly remember thinking about Harry being very refined when I saw that button.

  Apart from the button there was nothing on his stomach.

  We pulled the sheet back faster then, and when we had uncovered his legs and feet we let the sheet drop over the end of the bed on to the floor.

  ‘Don’t move,’ Ganderbai said, ‘don’t move, Mr Pope’, and he began to peer around along the side of Harry’s body and under his legs.

  ‘We must be careful,’ he said. ‘It may be anywhere. It could be up the leg of his pyjamas.’

  When Ganderbai said this, Harry quickly raised his head from the pillow and looked down at his legs. It was the first time he had moved. Then suddenly he jumped up. stood on his bed and shook his legs one after the other violently in the air. At that moment we both thought he had been bitten and Ganderbai was already reaching down into his bag for a scalpel and a tourniquet when Harry ceased his caperings and stood still and looked at the mattress he was standing on and shouted, ‘It’s not there!’

  Ganderbai straightened up and for a moment he too looked at the mattress, then he looked up at Harry. Harry was all right. He hadn’t been bitten and now he wasn’t going to get bitten and he wasn’t going to be killed and everything was fine. But that didn’t seem to make anyone feel any better.

  ‘Mr Pope, you are of course quite sure you saw it in the first place?’ There was a note of sarcasm in Ganderbai’s voice that he would never have employed in ordinary circumstances. ‘You don’t think you might possibly have been dreaming, do you, Mr Pope?’ The way Ganderbai was looking at Harry, I realized that the sarcasm was not seriously intended. He was only easing up a bit after the strain.

  Harry stood on his bed in his striped pyjamas, glaring at Ganderbai, and the colour began to spread out over his cheeks.

  ‘Are you telling me I’m a liar?’ he shouted.

  Ganderbai remained absolutely still, watching Harry. Harry took a pace forward on the bed and there was a shining look in his eyes.

  ‘Why, you dirty little Hindu sewer rat!’

  ‘Shut up, Harry!’ I said.

  ‘You dirty black –’

  ‘Harry!’ I called. ‘Shut up, Harry!’ It was terrible, the things he was saying.

  Ganderbai went out of the room as though neither of us was there and I followed him and put my arm around his shoulder as he walked across the hall and out on to the balcony.

  ‘Don’t you listen to Harry,’ I said. ‘This thing’s made him so he doesn’t know what he’s saying.’

  We went down the steps from the balcony to the drive and across the drive in the darkness to where his old Morris car was parked. He opened the door and got in.

  ‘You did a wonderful job,’ I said. ‘Thank you so very much for coming.’

  ‘All he needs is a good holiday,’ he said quietly, without looking at me, then he started the engine and drove off.

  The Sound Machine

  It was a warm summer evening and Klausner walked quickly through the front gate and around the side of the house and into the garden at the back. He went on down the garden until he came to a wooden shed and he unlocked the door, went inside and closed the door behind him.

  The interior of the shed was an unpainted room. Against one wall, on the left, there was a long wooden workbench, and on it, among a littering of wires and batteries and small sharp tools, there stood a black box about three feet long, the shape of a child’s coffin.

  Klausner moved across the room to the box. The top of the box was open, and he bent down and began to poke and peer inside it among a mass of different-coloured wires and silver tubes. He picked up a piece of paper that lay beside the box, studied it carefully, put it down, peered inside the box and started running his fingers along the wires, tugging gently at them to test the connections, glancing back at the paper, then into the box, then at the paper again, checking each wire. He did this for perhaps an hour.

  Then he put a hand around to the front of the bo
x where there were three dials, and he began to twiddle them, watching at the same time the movement of the mechanism inside the box. All the while he kept speaking softly to himself, nodding his head, smiling sometimes, his hands always moving, the fingers moving swiftly, deftly, inside the box, his mouth twisting into curious shapes when a thing was delicate or difficult to do, saying, ‘Yes… Yes… And now this one… Yes… Yes. But is this right? Is it – where’s my diagram?… Ah, yes… Of course… Yes, yes… That’s right… And now… Good… Good… Yes… Yes, yes, yes.’ His concentration was intense; his movements were quick; there was an air of urgency about the way he worked, of breathlessness, of strong suppressed excitement.

  Suddenly he heard footsteps on the gravel path outside and he straightened and turned swiftly as the door opened and a tall man came in. It was Scott. It was only Scott, the doctor.

  ‘Well, well, well,’ the Doctor said. ‘So this is where you hide yourself in the evenings.’

  ‘Hullo, Scott,’ Klausner said.

  ‘I happened to be passing,’ the Doctor told him, ‘so I dropped in to see how you were. There was no one in the house, so I came on down here. How’s that throat of yours been behaving?’

  ‘It’s all right. It’s fine.’

  ‘Now I’m here I might as well have a look at it.’

  ‘Please don’t trouble. I’m quite cured. I’m fine.’

  The Doctor began to feel the tension in the room. He looked at the black box on the bench, then he looked at the man. ‘You’ve got your hat on,’ he said.

  ‘Oh, have I?’ Klausner reached up, removed the hat, and put it on the bench.

  The Doctor came up closer and bent down to look into the box. ‘What’s this?’ he said. ‘Making a radio?’

  ‘No, just fooling around.’

  ‘It’s got rather complicated-looking innards.’

  ‘Yes,’ Klausner seemed tense and distracted.

  ‘What is it?’ the Doctor asked. ‘It’s rather a frightening-looking thing, isn’t it?’

  ‘It’s just an idea.’

  ‘Yes?’

  ‘It has to do with sound, that’s all.’

  ‘Good heavens, man! Don’t you get enough of that sort of thing all day in your work?’

  ‘I like sound.’

  ‘So it seems.’ The Doctor went to the door, turned, and said, ‘Well, I won’t disturb you. Glad your throat’s not worrying you any more.’ But he kept standing there looking at the box, intrigued by the remarkable complexity of its inside, curious to know what this strange patient of his was up to. ‘What’s it really for?’ he asked. ‘You’ve made me inquisitive.’

  Klausner looked down at the box, then at the Doctor, and he reached up and began gently to scratch the lobe of his right ear. There was a pause. The Doctor stood by the door, waiting, smiling.

  ‘All right, I’ll tell you, if you’re interested.’ There was another pause, and the Doctor could see that Klausner was having trouble about how to begin.

  He was shifting from one foot to the other, tugging at the lobe of his ear, looking at his feet, and then at last, slowly, he said, ‘Well, it’s like this… the theory is very simple really. The human ear… you know that it can’t hear everything. There are sounds that are so low-pitched or so high-pitched that it can’t hear them.’

  ‘Yes,’ the Doctor said. ‘Yes.’

  ‘Well, speaking very roughly, any note so high that it has more than fifteen thousand vibrations a second – we can’t hear it. Dogs have better ears than us. You know you can buy a whistle whose note is so high-pitched that you can’t hear it at all. But a dog can hear it.’

  ‘Yes, I’ve seen one,’ the Doctor said.

  ‘Of course you have. And up the scale, higher than the note of that whistle, there is another note – a vibration if you like, but I prefer to think of it as a note. You can’t hear that one either. And above that there is another and another rising right up the scale for ever and ever and ever, an endless succession of notes… an infinity of notes… there is a note – if only our ears could hear it – so high that it vibrates a million times a second… and another a million times as high as that… and on and on, higher and higher, as far as numbers go, which is… infinity… eternity… beyond the stars.’

  Klausner was becoming more animated every moment. He was a small frail man, nervous and twitchy, with always moving hands. His large head inclined towards his left shoulder as though his neck were not quite strong enough to support it rigidly. His face was smooth and pale, almost white, and the pale-grey eyes that blinked and peered from behind a pair of steel spectacles were bewildered, unfocused, remote. He was a frail, nervous, twitchy little man, a moth of a man, dreamy and distracted; suddenly fluttering and animated; and now the Doctor, looking at that strange pale face and those pale-grey eyes, felt that somehow there was about this little person a quality of distance, of immense immeasurable distance, as though the mind were far away from where the body was.

  The Doctor waited for him to go on. Klausner sighed and clasped his hands tightly together. ‘I believe,’ he said, speaking more slowly now, ‘that there is a whole world of sound about us all the time that we cannot hear. It is possible that up there in those high-pitched inaudible regions there is a new exciting music being made, with subtle harmonies and fierce grinding discords, a music so powerful that it would drive us mad if only our ears were tuned to hear the sound of it. There may be anything… for all we know there may –’

  ‘Yes,’ the Doctor said. ‘But it’s not very probable.’

  ‘Why not? Why not?’ Klausner pointed to a fly sitting on a small roll of copper wire on the workbench. ‘You see that fly? What sort of a noise is that fly making now? None – that one can hear. But for all we know the creature may be whistling like mad on a very high note, or barking or croaking or singing a song. It’s got a mouth, hasn’t it? It’s got a throat!’

  The Doctor looked at the fly and he smiled. He was still standing by the door with his hands on the doorknob. ‘Well,’ he said. ‘So you’re going to check up on that?’

  ‘Some time ago,’ Klausner said, ‘I made a simple instrument that proved to me the existence of many odd inaudible sounds. Often I have sat and watched the needle of my instrument recording the presence of sound vibrations in the air when I myself could hear nothing. And those are the sounds I want to listen to. I want to know where they come from and who or what is making them.’

  ‘And that machine on the table there,’ the Doctor said, ‘is that going to allow you to hear these noises?’

  ‘It may. Who knows? So far, I’ve had no luck. But I’ve made some changes in it and tonight I’m ready for another trial. This machine,’ he said, touching it with his hands, ‘is designed to pick up sound vibrations that are too high-pitched for reception by the human ear, and to convert them to a scale of audible tones. I tune it in, almost like a radio.’

  ‘How d’you mean?’

  ‘It isn’t complicated. Say I wish to listen to the squeak of a bat. That’s a fairly high-pitched sound – about thirty thousand vibrations a second. The average human ear can’t quite hear it. Now, if there were a bat flying around this room and I tuned in to thirty thousand on my machine. I would hear the squeaking of that bat very clear. I would even hear the correct note – F sharp, or B flat, or whatever it might be – but merely at a much lower pitch. Don’t you understand?’

  The Doctor looked at the long, black coffin-box. ‘And you’re going to try it tonight?’

  ‘Yes.’

  ‘Well, I wish you luck.’ He glanced at his watch. ‘My goodness!’ he said. ‘I must fly. Good-bye, and thank you for telling me. I must call again some time and find out what happened.’ The Doctor went out and closed the door behind him.

  For a while longer, Klausner fussed about with the wires in the black box; then he straightened up and in a soft excited whisper said, ‘Now we’ll try again… We’ll take it out into the garden this time… and then perhaps… perhaps…
the reception will be better. Lift it up now… carefully… Oh, my God, it’s heavy!’ He carried the box to the door, found that he couldn’t open the door without putting it down, carried it back, put it on the bench, opened the door, and then carried it with some difficulty into the garden. He placed the box carefully on a small wooden table that stood on the lawn. He returned to the shed and fetched a pair of earphones. He plugged the wire connections from the earphones into the machine and put the earphones over his ears. The movements of his hands were quick and precise. He was excited, and breathed loudly and quickly through his mouth. He kept on talking to himself with little words of comfort and encouragement, as though he were afraid – afraid that the machine might not work and afraid also of what might happen if it did.

  He stood there in the garden beside the wooden table, so pale, small, and thin that he looked like an ancient, consumptive, bespectacled child. The sun had gone down. There was no wind, no sound at all. From where he stood, he could see over a low fence into the next garden, and there was a woman walking down the garden with a flower-basket on her arm. He watched her for a while without thinking about her at all. Then he turned to the box on the table and pressed a switch on its front. He put his left hand on the volume control and his right hand on the knob that moved a needle across a large central dial, like the wavelength dial of a radio. The dial was marked with many numbers, in a series of bands, startng at 15,000 and going on up to 1,000,000.